There are three main types of microphones, dynamic microphones, condenser microphones and aluminum ribbon microphones. How to choose a microphone is not a simple one to see which price is high, which means good quality. Only the most suitable microphone is the best microphone. Most know which type of microphone is most suitable, first look at the occasion, secondly look at the demand, let's look at the advantages and disadvantages of each of the three microphones.
The dynamic microphone of the dynamic microphone is not sensitive enough. Compared with the condenser microphone, it can not pick up more details, but it is also not easy to pick up the ambient noise. It is very suitable for use on the stage, and it is not easy to generate feedback and howling. Another benefit of insensitivity is that the sound pressure level is large, that is, it can withstand very loud sounds without exploding. For example, on the stage, the sound of the snare drum is picked up at a close distance. The sounds of the excellent drummers are very large. If you use a condenser microphone, you will definitely make a sound. How to adjust the gain is useless, and the dynamic microphone is very suitable.
Although the frequency response of dynamic microphones is not as straight and wide as condenser microphones, many instruments such as guitars and basses are not full-range instruments themselves. Dynamic microphones have been able to pick up their sounds well and avoid them. The trouble of other instruments crosstalk, the tuner will be more convenient when repairing EQ.
Another great advantage of the dynamic microphone is that it is sturdy and durable. It doesn't matter if you accidentally fall to the ground. You can continue to use it when you pick it up. If it is a condenser microphone, it is hard to say, and it may be broken.
Capacitive microphone condenser microphones are characterized by high sensitivity, rich pick-up details, and wide frequency response curves, so they can perform satisfactorily in a quiet and quiet acoustic environment in the studio. In the ordinary environment, it is easy to pick up the noise of the environment, such as the sound of the next door, the sound of the car downstairs, which is difficult to remove in the later stage, even if it is barely removed, it will damage the sound quality.
In addition to the requirements of the sound environment, condenser microphones are also more delicate, it is necessary to take care of the light, it is best to put it away when not in use, put a few packets of desiccant next to it, because the humidity will affect the sound quality of the condenser microphone. Therefore, the general grade studio will buy a special constant temperature and humidity drying box to save the microphone, after all, is a tool to make money.
The aluminum ribbon microphone and the aluminum microphone are more delicate and more difficult to serve. The ribbon microphone is a bit of a feeling between the moving coil and the capacitor. The sensitivity is not as good as the capacitor, but better than the moving coil. The frequency response is worse than the moving coil, but not as wide as the capacitor. Although the performance is a bit too low, but also the temper is difficult to serve, but "a trick to eat all over the sky", with warm retro tone and fast transient response has become the voice of many sound engineers.
And with the development of technology, many manufacturers are improving the shortcomings of the aluminum ribbon microphone. For example, Blue's Woodpecker aluminum ribbon microphone can add 48V phantom power, improve the high frequency response, wider frequency response, and stronger signal output. Don't worry about accidentally turning on the phantom power to burn the mic. Beyerdynamic's aluminum tape microphone head RM510 can even adapt to the complex environment of live performances. It is believed that the application range of the aluminum ribbon microphone will become more and more extensive.
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